Monthly Archives: March 2014

Importance of Color Palette in the film!

Posted on March 27, 2014 by Whistling Woods International

Just by watching a single frame of ‘The Grand Budapest Hotel’ you can tell that it’s a Wes Anderson movie. This is because of its symmetrical compositions, saturated color pallet and typically 70’s styling. Every film has its own way … Continue reading →

Posted in Filmmaking, Indian Cinema, Subhash Ghai, Whistling Woods International, WWI | Tagged , , , , , , , , , , , , | Leave a comment

Relationship of Director and Director of Photography

Posted on March 24, 2014 by Whistling Woods International

  One of the most collaborative relationships on any film set is the relationship of a Director and Director of Photography (DOP) . They are the two sides of a coin; a director visualizes the film but a DOP is responsible … Continue reading →

Posted in Filmmaking, Subhash Ghai, Whistling Woods International, WWI Student | Tagged , , , , , , , , , , , | 1 Comment

The cameras that made the magic possible

Posted on March 20, 2014 by Whistling Woods International

We all know that when it comes to film making, the camera we use can have the single greatest bearing on the outcome! But more importantly, it comes down to the mind that guides the camera and captures incredible scenes … Continue reading →

Posted in Filmmaking, Great Directors, Whistling Woods International | 1 Comment

We Are Back!

Posted on March 10, 2014 by Whistling Woods International

After a long time away from the keyboard, we’re now back with more amazing stories on film making, filmmakers and everything cinematic.  Get your regular dose of wisdom on direction, cinematography, VFX, screenwriting, music and other technical aspects with the … Continue reading →

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